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DTSTART;TZID=America/New_York:20260108T200000
DTEND;TZID=America/New_York:20260108T213000
DTSTAMP:20260531T101754
CREATED:20251219T134805Z
LAST-MODIFIED:20251219T135637Z
UID:1515-1767902400-1767907800@www.sightsoundandstory.com
SUMMARY:Sight\, Sound & Story: Behind the Edit "A House of Dynamite"
DESCRIPTION:Inside the Episode: What really happens in the edit bay when a story finds its final shape? In this episode of Sight\, Sound & Story\, we go behind the edit with Academy Award–winning Editor Kirk Baxter\, ACE\, as he breaks down his work on “A House of Dynamite.” \nBaxter will share how his editing choices shaped the film’s rhythm\, tone\, and emotional impact. The conversation will explore how performances\, pacing\, and structure developed over time\, from early cuts to the final version. The discussion will also touch on collaboration and the behind-the-scenes work that turns footage into a finished story. Moderated by Chad Anderson\, the conversation will dig into Baxter’s approach to storytelling\, his relationship with the director\, Kathryn Bigelow\, and the challenges unique to “A House of Dynamite.” This episode is a must-watch for editors\, filmmakers\, and anyone curious about how a story is truly built in post-production. \n  \nModerator: Chad Anderson (Manhattan Edit Workshop & Brookdale Community College)\nPanelists: Kirk Baxter\, ACE (“The Social Network\,“ “The Girl with Dragon Tattoo”) \nWhen: Thursday\, January 8th\, 2026 \nTime: 8:00 PM ET / 5:00 PM PT \nGeneral Admission: FREE! \nAll attendees who register for this event will receive a link and password before the start of the event. This will gain free access for attendees. This will also give free replays for 48 hours. \n  \n\n  \nPanelists:\nEditor Kirk Baxter\, ACE\nKirk Baxter\, ACE\, has been recognized with Academy Awards for editing “The Social Network” and “The Girl with Dragon Tattoo” and has received multiple nominations and wins from the American Cinema Editors. \n  \n  \n  \n  \n  \n  \n  \n  \nModerator Chad Anderson\nChad Anderson is a college professor\, animation geek\, poet\, video editor & skateboarder from the Jersey Shore. He has worked on a range of editing and visual FX projects for corporate\, educational\, broadcast\, non-profit\, and military organizations all over the country (and once in Korea). Previous clients have included E! Entertainment\, “The Charlie Rose Show\,” the WB\, The Count Basie Theatre and a film that went straight to video with John Stamos in it. He holds a Master’s in Education from NJCU and has been teaching for over 18 years.
URL:https://www.sightsoundandstory.com/event/sight-sound-story-behind-the-edit-a-house-of-dynamite/
LOCATION:ONLINE EVENT
ATTACH;FMTTYPE=image/jpeg:https://www.sightsoundandstory.com/wp-content/uploads/2025/12/house_of_dynamite-sight-sound-and-story-film-editing.jpg
ORGANIZER;CN="Sight%2C Sound & Story":MAILTO:Jason@mewshop.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260122T200000
DTEND;TZID=America/New_York:20260122T213000
DTSTAMP:20260531T101754
CREATED:20251219T140040Z
LAST-MODIFIED:20260123T175228Z
UID:1513-1769112000-1769117400@www.sightsoundandstory.com
SUMMARY:Sight\, Sound & Story: Directing & Producing Documentaries
DESCRIPTION:Inside The Episode: Go behind the camera with three incredible documentary filmmakers: Jeremy Workman\, award-winning director\, producer\, and editor; Jill Campbell\, and Emmy-nominated director Nicholas Bruckman. \nThey share their experiences and insights on what it takes to make a great documentary. From capturing real-life moments to shaping stories that resonate\, they reveal the challenges\, secrets\, and creative decisions behind the craft of non-fiction filmmaking. \nWhether you’re an aspiring filmmaker or just curious about how documentaries are made\, this conversation offers a rare glimpse into the minds of those who turn reality into compelling stories. \nModerator: Jeremy Workman (“Secret Mall Apartment\,” “Lily Topples The World”) \nPanelists: Jill Campbell (“Mr. Chibbs\,“ “Beyond the Gaze: Jule Campbell’s Swimsuit Issue”) and Nicholas Bruckman (“Not Going Quietly\,” “Minted: The Rise (and Fall?) of the NFT”) \n\, \nWhen: Thursday\, January 22nd\, 2026 \nTime: 8:00 PM ET / 5:00 PM PT \nGeneral Admission: FREE! \nAll attendees who register for this event will receive a link and password before the start of the event. This will gain free access for attendees. This will also give free replays for 48 hours. \n  \n\nPANELISTS:\nDirector Nick Bruckman\nNicholas Bruckman is an Emmy-nominated director and founder of People’s Television\, a NYC- and DC-based creative studio producing award-winning films and storytelling campaigns for the world’s leading brands\, foundations\, and social movements. His feature documentary “Not Going Quietly\,” about healthcare activist Ady Barkan\, won both the Audience and Jury Awards at SXSW and was released to critical acclaim in theaters nationwide and on Hulu. His follow-up\, “Minted: The Rise (and Fall?) of the NFT\,” premiered at the Tribeca Film Festival and was released by Netflix earlier this year. Most recently\, his docuseries “The Price of Milk”—which uncovers the hidden story behind the iconic “Got Milk?” campaign—had its world premiere at Tribeca in June. \n  \n  \n  \n  \n  \nDirector Jill Campbell\nJill Campbell is an award-winning documentary director\, producer\, and editor whose work explores the intersection of sports\, culture\, and identity. She began her career in New York’s downtown theater scene\, writing and producing plays at the Public Theater\, LaMama\, the Dublin Fringe Festival\, across London’s fringe circuit\, and as a fellow at Mabou Mines. \nAs a director\, Campbell has helmed three critically acclaimed feature documentaries: “Seat 20D” is a meditation on grief and healing that follows artist Suse Lowenstein’s journey after the murder of her son. “Mr. Chibbs” (2017)\, a Village Voice Critics’ Pick\, traces the rise and fall of NBA legend Kenny Anderson\, and “Beyond the Gaze: Jule Campbell’s Swimsuit Issue” (Tribeca Films) an intimate portrait of the visionary editor who created the Sports Illustrated Swimsuit Issue. The film premiered at the Woodstock Film Festival\, where Campbell earned a nomination for Excellence in Directing a Documentary Film\, and has since won Best Documentary at the Omaha Film Festival\, jury awards at Vermont Film & Folklore\, Utah Doc Fest\, Centre Film Festival\, Black Bear Film Festival\, and Hells Half Mile Film Festival. Campbell has produced and edited over 15 feature and short-form documentaries that have screened at numerous festivals\, including Tribeca\, DOC NYC\, and Montclair\, and on platforms including Netflix\, Peacock\, PBS\, SKY TV\, and American Masters. Campbell holds an MFA in Documentary Studies from Hunter College. She is a 2015 Killer Films/Stony Brook Southampton 20/20/20 Fellow\, a Mabou Mines Resident Artist\, and has served as Chair of the Producers Guild’s Documentary Salon. She has taught as an Adjunct Professor at Purchase College and Adelphi University. Her films are available to stream on Kanopy\, Apple TV\, Amazon Prime\, and other platforms. \n  \nDirector/Editor Jeremy Workman\nJeremy Workman is a documentary filmmaker who has been praised for creating his own genre of uniquely cinematic character portraits that bring you deep inside extraordinary worlds. Workman’s documentaries have garnered significant recognition\, playing at major film festivals and receiving global theatrical and television releases. His acclaimed films include “Secret Mall Apartment” (2025)\, “Lily Topples the World”(Discovery)\, “Deciding Vote” (The New Yorker)\, “The World Before Your Feet” (Greenwich Entertainment / Kino Lorber)\, and “Magical Universe” (IFC Films). In many of them\, Jeremy serves as director\, producer\, cinematographer\, and editor. “Secret Mall Apartment” premiered to immediate acclaim at the 2024 SXSW Film Festival\, going on to win 12 major film festival awards. It was released theatrically in over 250 cities in 2025\, becoming the fourth-highest-grossing documentary since 2020 (excluding music concert films). Certified Fresh on Rotten Tomatoes\, “Secret Mall Apartment” has been widely featured in national publications and even parodied on “The Tonight Show with Jimmy Fallon.” Executive Produced by actor Jesse Eisenberg\, the film is now being developed as both a stage play and a scripted movie.”Lily Topples the World\, Workman’s 2021 documentary\, won the Jury Grand Prize for Best Documentary at the SXSW Film Festival and was a high-profile acquisition for Discovery. Certified Fresh on Rotten Tomatoes\, it is available to stream on MAX. “The World Before Your Feet” was released theatrically in over 100 cities in 2019\, enjoying a nearly six-month theatrical run. It holds a 100% Rotten Tomatoes score and returned to movie theaters in the summer of 2025. Finally\, Workman’s short “Deciding Vote“ premiered at the 2023 Tribeca Film Festival\, was distributed by The New Yorker\, and was Oscar Shortlisted in the Documentary Short Film category and Emmy-nominated for Most Outstanding Short Documentary.
URL:https://www.sightsoundandstory.com/event/sight-sound-story-directing-producing-documentaries/
LOCATION:ONLINE EVENT
ATTACH;FMTTYPE=image/jpeg:https://www.sightsoundandstory.com/wp-content/uploads/2025/12/sight-sound-story-documenary-directors-producers.jpg
ORGANIZER;CN="Sight%2C Sound & Story":MAILTO:Jason@mewshop.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260212T200000
DTEND;TZID=America/New_York:20260212T213000
DTSTAMP:20260531T101754
CREATED:20260122T180739Z
LAST-MODIFIED:20260122T181834Z
UID:1600-1770926400-1770931800@www.sightsoundandstory.com
SUMMARY:From Camera to Cut: The Making of "The American Revolution"
DESCRIPTION:Explores how cinematography and editing work together to bring visual authenticity andnarrative clarity to life.\nIn this episode of Sight\, Sound & Story\, editor Maya Mumma\, ACE\, and cinematographer Buddy Squires\, ASC\, discuss their work on Ken Burns’ latest documentary\, “The American Revolution.” They explore how they helped shape the historical storytelling\, transforming archival material\, artwork\, and live footage into an emotionally resonant narrative. Maya shares insight into shaping the series in the edit\, from structuring long-form storytelling to finding the right pacing and emotional balance. Buddy reflects on his approach to cinematography\, including maintaining visual consistency\, working with archival material\, and collaborating within the Ken Burns filmmaking style. Moderated by Josh Apter\, the conversation focuses on process\, collaboration\, and the practical choices that help make complex history engaging for audiences\, while showcasing selected scenes from this incredible documentary.\nModerator: Josh Apter (Founder and Owner of Manhattan Edit Workshop) \nPanelists: Editor Maya Mumma\, ACE (“O.J.: Made in America\,””Restrepo”) and Cinematographer Buddy Squires\, ASC (“The Civil War\,” “The Central Park Five”) \nWhen: Thursday\, February 12th\, 2026\nTime: 8:00 PM ET / 5:00 PM PT\nGeneral Admission: FREE! \nAll attendees who register for this event will receive a link and password before the event starts. This will gain free access for attendees. This will also give free replays for 48 hours. \n  \n\nPANELISTS: \nEditor Maya Mumma\, ACE\nMaya Mumma\, ACE\, was an editor on the Academy Award-winning documentary “O.J.: Made in America” for which she was honored with a Best Editing award from the Los Angeles Film Critics Association\, an ACE Eddie\, and a Primetime Emmy. \nMaya began her career in the edit room of the Academy Award-nominated documentary “Restrepo\,” which won the Grand Jury Prize at the 2010 Sundance Film Festival. She has gone on to edit the Emmy nominated films “Which Way Is the Front Line From Here: The Life and Time of Tim Hetherington “(HBO) and “Whoopi Goldberg Presents Moms Mabley “(HBO)\, the Peabody Award winning “Mr. Dynamite: The Rise of James Brown “(HBO)\, as well as “A Journey of a Thousand Miles: Peacekeepers “(PBS)\, and the Netflix original series “Daughters of Destiny.” Recently\, Maya edited the Emmy-winning “King in the Wilderness” (HBO)\, edited and produced the Emmy and Peabody award-winning “True Justice: Bryan Stevenson’s Fight for Equality” (HBO)\, the Emmy-nominated 3-part “Obama: In Pursuit of a More Perfect Union” (HBO)\, and “Time Bomb Y2K “(HBO). Her work can currently be seen in “The American Revolution\,” a 6-part 12-hour series from Ken Burns for PBS. \n\nCinematographer Buddy Squires\, ASC\nBuddy Squires\, ASC\, is an Oscar-nominated filmmaker\, Emmy-winning director of photography\, and a founding member of Florentine Films. His more than 250 screen credits include two Oscar winners\, seven Academy Award nominees\, and eleven Emmy Award-winning productions. \nSquires’ recent credits as DP include “The American Revolution” (2025 Telluride Film Festival)\, “Highway 99: A Double Album”: (2025 Telluride Film Festival)\, “Leonardo da Vinci” (2024 Telluride Film Festival)\, “Taylor Mac’s 24 decade History of Popular Music” (2023 Tribeca Film Festival)\, “The US and the Holocaust” (2022\, Telluride Film Festival)\, and “Viva Maestro.” \nBuddy Squires directed and photographed “Beyond the Beach\,” which premiered at the 2019 Venice Film Festival. Other recent DP credits include “Benjamin Franklin” (2022)\, “Muhammad Ali” (2021\, Telluride Film Festival)\, “Hemingway” (2021)\, “Michael Tilson Thomas: Where Now Is “(2020)\, “Oliver Sacks: His Own Life” (2019\, NY Film Festival)\, “College Behind Bars” (2019\, NY Film Festival) “Country Music” (2019)\, “The Vietnam War” (2017)\, “Rancher\, Farmer\, Fisherman” (2017)\, “Bombshell: The Hedy Lamar Story” (2017)\, “Betting on Zero” (2016)\, “Jackie Robinson” (2016)\, and “The Last Dalai Lama “(2016). \nSquire’s other credits include “The Central Park Five” (Cannes Film Festival)\, Rory Kennedy’s “Ethel\,” “The Donner Party”\, “American Ballet Theatre\,” “Salinger\,” “Strangers No More\,” “The Civil War\,” “Baseball\,” “The National Parks: America’s Best Idea\,” “Chimps: So Like Us\,” “New York: A Documentary Film\,” and “Compassion in Exile.” \n\nJosh Apter\nJosh Apter has worked in all areas of filmmaking\, from location sound recordist on numerous feature films\, to videographer for Steven Spielberg’s Shoah Foundation\, where he recorded the testimonies of over 150 Holocaust survivors. As a film editor\, Josh has worked on over ten feature films\, including “The Holy Land” (winner Slamdance FF/Cavu Pictures Distributor)\, “Kaaterskill Falls\,” and “Barbecue is a Noun” (Audience Award for Best Documentary at the Rome International Film Festival and the River Run Film Festival). \nFrom his love of post-production\, Josh founded Manhattan Edit Workshop in 2002. MEWShop is an Avid\, Assimilate\, and Blackmagic Authorized Training Center offering a variety of classes in the art and technique of film editing. With clients ranging from AMC Networks\, HBO\, NBC\, CBS\, WNET\, and CNN\, Manhattan Edit Workshop has become the premier training destination for the highest-level content creators and media professionals.
URL:https://www.sightsoundandstory.com/event/from-camera-to-cut-the-making-of-the-american-revolution/
LOCATION:ONLINE EVENT
ATTACH;FMTTYPE=image/webp:https://www.sightsoundandstory.com/wp-content/uploads/2026/01/American-Revolution-ken-burns-sight-sound-and-story-from-camera-to-cut.webp
ORGANIZER;CN="Sight%2C Sound & Story":MAILTO:Jason@mewshop.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260312T200000
DTEND;TZID=America/New_York:20260312T210000
DTSTAMP:20260531T101754
CREATED:20260302T150041Z
LAST-MODIFIED:20260302T193639Z
UID:1645-1773345600-1773349200@www.sightsoundandstory.com
SUMMARY:Sight\, Sound & Story - Behind the Lens of “Dust Bunny"
DESCRIPTION:An Exclusive Online Conversation with Cinematographer Nicole Hirsch Whitaker\, ASC\, Exploring Visual Language\, Collaboration\, and the Craft Behind “Dust Bunny” \nJoin us for an in-depth Sight\, Sound & Story episode on the craft of modern cinematography through the lens of “Dust Bunny.” Cinematographer Nicole Hirsch Whitaker\, ASC\, will take us behind the scenes of the film’s visual language\, breaking down creative choices and techniques used to shape tone\, emotion\, and narrative through image and light. \nModerated by Chad Anderson\, the conversation will touch on collaboration with directors and crew\, technical decision-making\, and how cinematography shapes storytelling. \nModerator: Chad Anderson (Manhattan Edit Workshop & Brookdale Community College)\nPanelists: Nicole Hirsch Whitaker\, ASC (“Bad Sisters\,” “One Piece\,” “Lioness”) \nWhen: Thursday\, March 12th\, 2026 \nTime: 8:00 PM ET / 5:00 PM PT \nGeneral Admission: FREE! \n  \nAll attendees who register for this event will receive a link and password before the start of the event. This will gain free access for attendees. This will also give free replays for 48 hours. \n  \nBy signing up for the event\, all attendees agree to receive promotional emails from Manhattan Edit Workshop. \n  \nCinematographer Nicole Hirsch Whitaker\, ASC\nEmmy-nominated cinematographer Nicole Hirsch Whitaker\, ASC\, works across all mediums\, from fiction and nonfiction to television and commercials. \nMost recently\, she shot “Dust Bunny\,” an American horror thriller produced\, written\, and directed by Bryan Fuller and starring Mads Mikkelsen\, Sigourney Weaver\, and David Dastmalchian. The film follows an eight-year-old girl who enlists her mysterious neighbor to help kill the monster under her bed that devoured her family. Whitaker’s work on the film earned her a Best Cinematography nomination at the Film Independent Spirit Awards. \nBefore this\, Hirsch Whitaker created the look and lensed the first two episodes of Netflix’s hit live-action adaptation of Eiichiro Oda’s beloved manga series “One Piece\,” alongside director Marc Jobst; the highly anticipated series broke records for Netflix\, becoming the number one-ranked TV series in 84 countries worldwide. \nIn addition\, Hirsch Whitaker contributed her skill set to Paramount+ and showrunner Taylor Sheridan’s “Special Ops: Lioness\,” lensing episodes 5\, 6\, and 7 with directors Paul Cameron and John Hillcoat. Previously\, she shot the first three episodes of Apple TV+’s dark-comedy series “Bad Sisters” alongside director Dearbhla Walsh and writer Sharon Horgan; in a previous collaboration with Walsh and Horgan\, she shot the pilot for Starz’s “Shining Vale\,” starring Courteney Cox\, Mira Sorvino\, and Greg Kinnear. \nHirsch Whitaker has also lensed episodes of Netflix’s “Jupiter’s Legacy\,” conceptualized by Steven S. DeKnight; “On the Verge\,” directed and written by Julie Delpy; Apple TV+’s “Truth Be Told\,” starring Octavia Spencer\, Aaron Paul\, and Lizzy Caplan; “Perpetual Grace\, LTD\,” a neo-noir thriller series helmed by Steve Conrad and Bruce Terris; and Amazon’s critically acclaimed series “Patriot.” \nHer collaborators include directors Academy Award winner Freida Mock; Academy Award nominees Brett Morgen\, Richard Robbins\, and Jessica Sanders; as well as Marshall Herskovitz\, Wayne Kramer\, Jeffrey Nachmanoff\, and Jason Reitman. \nHirsch Whitaker began shooting second unit on critically acclaimed feature films\, including the Golden Globe–nominated “Thank You for Smoking\,” “Running Scared\,” “Coach Carter\,” and the Academy Award–nominated “The Cooler.” In addition\, her documentary work on films such as “Girl Rising\,” for which she was Emmy-nominated\, and “Cobain: Montage of Heck “has earned recognition. She has also lensed commercial work for clients including Apple\, Nike\, Pepsi\, Toyota\, Target\, Sony\, and Honda. \nA graduate of NYU Tisch School of the Arts with a Bachelor of Fine Arts degree\, Hirsch Whitaker began her career as a still photographer. Raised by parents who helped establish the Santa Monica Museum of Art\, her lifelong immersion in the fine arts informs her unique eye\, impressive taste\, and drive to create. \nBased in Los Angeles\, she is represented by Worldwide Production Agency (WPA) and is an active member of the International Cinematographers Guild (ICG\, Local 600) and the American Society of Cinematographers (ASC). \n  \nModerator Chad Anderson\nChad Anderson is a college professor\, animation geek\, poet\, video editor & skateboarder from the Jersey Shore. He has worked on a range of editing and visual FX projects for corporate\, educational\, broadcast\, non-profit\, and military organizations all over the country (and once in Korea). Previous clients have included E! Entertainment\, “The Charlie Rose Show\,” the WB\, The Count Basie Theatre and a film that went straight to video with John Stamos in it. He holds a Master’s in Education from NJCU and has been teaching for over 18 years.
URL:https://www.sightsoundandstory.com/event/sight-sound-story-behind-the-lens-of-dust-bunny/
LOCATION:ONLINE EVENT
ATTACH;FMTTYPE=image/webp:https://www.sightsoundandstory.com/wp-content/uploads/2026/03/Dust-Bunny-sight-sound-and-story-nicole-hirsch-whitaker-asc-cinematography.webp
ORGANIZER;CN="Sight%2C Sound & Story":MAILTO:Jason@mewshop.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260416T200000
DTEND;TZID=America/New_York:20260416T213000
DTSTAMP:20260531T101754
CREATED:20260327T153550Z
LAST-MODIFIED:20260327T161338Z
UID:1706-1776369600-1776375000@www.sightsoundandstory.com
SUMMARY:Crafting “Black Rabbit”: A Director & Editor in Conversation
DESCRIPTION:The premier Post and Production event series Sight\, Sound & Story continues! \nSight\, Sound & Story – “Black Rabbit”: A Director & Editor in Conversation. \nJoin us for an in-depth conversation on the craft of directing and editing with “Black Rabbit”: A Director & Editor in Conversation. Featuring editor Vikash Patel and director Ben Semanoff\, this event offers a behind-the-scenes look at how vision and storytelling come together in the editing room. From shaping performances to refining pacing and tone\, Patel and Semanoff will explore the collaborative process that brings a film like Black Rabbit to life\, sharing insights\, challenges\, and creative breakthroughs along the way. \nModerator: Josh Apter( Manhattan Edit Workshop Founder & Owner)\nPanelists: Editor Vikash Patel (Ozark\, Lanterns) & Director Ben Semanoff (Ozark\, The Old Man) \nWhen: Thursday\, April 16th\, 2026 \nTime: 8:00 PM ET / 5:00 PM PT \nGeneral Admission: FREE! \nAll attendees who register for this event will receive a link and password before the start of the event. This will gain free access for attendees. This will also give free replays for 48 hours. \n  \nBy signing up for the event\, all attendees agree to receive promotional emails from Manhattan Edit Workshop. \n  \n\nPanelists:\nEditor Vikash Patel\nVikash Patel is an award-winning TV and film editor with over 20 years of experience. Most recently\, he worked on episodes of Netflix’s Black Rabbit starring Jude Law and Jason Bateman. He is also currently editing HBO’s Lanterns\, which will be released in 2026. \nHe received an Emmy nomination for his work on Netflix’s drama series Ozark and won an Emmy for his work on Top Chef. His other work includes acclaimed shows\, including HBO’s The Sympathizer\, Apple TV+’s The Morning Show and Five Days at Memorial\, Netflix’s Longmire\, Amazon Prime Video’s Tom Clancy’s Jack Ryan\, A&E’s Bates Motel\, AMC’s Into the Badlands\, Fox Network’s Terminator: The Sarah Connor Chronicles. Outside of TV\, Vikash edited the feature documentary Back Home and the feature film The Story of Luke\, which received awards at festivals across the US. \nHe first graduated from Newcastle University and afterwards worked as an editor cutting commercials and documentaries for the BBC & ITV\, and assisting film editor David Freeman (The Full Monty & Mickey Blue Eyes). He then attended the American Film Institute to hone his craft of narrative storytelling. \nVikash resides in Los Angeles with his wife and two children. He was raised in the North West of England to immigrant parents from India. His parents dreamt that he would become a professional cricket player\, but after a noble attempt that didn’t come to fruition\, it was time to nurture his passion for the arts.  \n  \nDirector Ben Semanoff\nBen Semanoff is a TV and film director. Most recently\, his work has been featured in episode 9 of season 3 of Yellowjackets and episodes 5 and 6 of Netflix’s new limited series Black Rabbit\, starring Jude Law and Jason Bateman.\n\nSemanoff received an Emmy nomination for Outstanding Direction For A Drama Series for his work on Netflix’s Emmy-winning drama Ozark. His other directing credits include season 2 of FX’s Emmy-nominated drama The Old Man\, season 2 of Showtime’s critically acclaimed Yellowjackets; Tulsa King\, starring Sylvester Stallone\, for Paramount+; and Hulu’s Candy\, featuring Jessica Biel.\nHe transitioned to directing after a successful career as an A-camera operator. He was nominated for the Camera Operator of the Year for three consecutive years for his work on HBO’s The Night Of and the first two seasons of Netflix’s Ozark. His other credits as an A- camera operator include films such as Creed\, Collateral Beauty\, and The Upside\, as well as TV series like The Leftovers\, The Outsider\, and The Affair.\nSemanoff is a graduate of Temple University. He currently lives in Doylestown\, PA\, with his wife Erica and two children.
URL:https://www.sightsoundandstory.com/event/crafting-black-rabbit-a-director-editor-in-conversation/
LOCATION:ONLINE EVENT
ATTACH;FMTTYPE=image/jpeg:https://www.sightsoundandstory.com/wp-content/uploads/2026/03/Black-Rabbit-sight-sound-and-story-editing-directing-vikash-patel-ben-semanoff.jpg
ORGANIZER;CN="Sight%2C Sound & Story":MAILTO:Jason@mewshop.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260507T200000
DTEND;TZID=America/New_York:20260520T210000
DTSTAMP:20260531T101754
CREATED:20260424T171939Z
LAST-MODIFIED:20260424T190552Z
UID:1756-1778184000-1779310800@www.sightsoundandstory.com
SUMMARY:Sight\, Sound & Story: Behind the Edit of "Pluribus"
DESCRIPTION:Sight\, Sound & Story: Behind the Edit of “Pluribus”\nInside the Episode: Pluribus\, the latest series from Vince Gilligan\, delivers a gripping blend of thriller\, mystery\, and dark humor. Set in a world reshaped by a mysterious event that links nearly all of humanity into a shared consciousness\, an unsettling wave of forced happiness takes hold. \nStep inside the edit of Pluribus with an all-star team: Skip Macdonald\, ACE\, Chris McCaleb\, ACE\, and Joey Liew. Hear how their longtime collaboration with Vince Gilligan informs their approach to story\, tone\, and pacing. \nFeaturing exclusive scene breakdowns and behind-the-scenes insights into the moments that define the series. Moderated by Josh Apter\, this is a must-see conversation for anyone passionate about storytelling and the art of editing. \n  \nModerator: Josh Apter (Founder and Owner of Manhattan Edit Workshop) \nPanelists: Editors Skip Macdonald\, ACE (Breaking Bad\, Better Call Saul)\, Chris McCaleb\, ACE (Breaking Bad\, Better Call Saul) & Joey Liew (Better Call Saul\, Rabbit Hole) \n  \nWhen: Thursday\, May 7\, 2026 \nTime: 8:00 PM ET / 5:00 PM PT \nGeneral Admission: FREE! \n  \nAll attendees who register for this event will receive a link and password before the start of the event. This will gain free access for attendees. This will also give free replays for 48 hours. \nBy signing up for the event\, all attendees agree to receive promotional emails from Manhattan Edit Workshop. \n\n  \nPanelists:\nEditor Skip Macdonald\, ACE\nSkip Macdonald\, ACE\, is an American film and television editor renowned for his work on the critically acclaimed AMC series Breaking Bad\, its prequel spin-off Better Call Saul\, and the feature film El Camino: A Breaking Bad Movie. A member of the American Cinema Editors (ACE)\, Macdonald has earned multiple Primetime Emmy Awards for Outstanding Single-Camera Picture Editing for a Drama Series\, including for the Breaking Bad series finale\, “Felina\,” in 2014\, and the Better Call Saul finale\, “Saul Gone\,” in 2023. His editing style emphasizes precise pacing\, tension-building\, and collaboration with directors and showrunners such as Vince Gilligan to maintain the narrative tone and emotional depth. \nMacdonald entered the industry in the late 1970s as a sound apprentice on the independent film The Great American Success Story (originally titled Ringer)\, starring Jeff Bridges and Bianca Jagger. He advanced through roles in sound editing and assistance on major productions such as Michael Cimino’s Heaven’s Gate\, where he handled cutting and Foley work\, and later assisted on Nell and Primal Fear. Transitioning to picture editing\, he took over as editor on the television series Buffy the Vampire Slayer after the original editor departed\, marking a pivotal shift in his career toward scripted television. \nHis involvement with the Breaking Bad universe began in its inaugural 2008 season\, when he was recommended by a post-production producer and hired following an interview with series creator Vince Gilligan; he continued editing every season of both Breaking Bad and Better Call Saul\, contributing to their distinctive montage sequences and time-jump structures. Beyond this franchise\, Macdonald’s credits include the pilot episode of Hell on Wheels\, episodes of Foundation\, and other projects like Las Vegas. His career spans over four decades\, highlighting a progression from sound work to Emmy-winning picture editing in high-profile drama series. \n  \nEditor Chris McCaleb\, ACE\,\n Chris McCaleb\, ACE\, is an American film editor\, director\, and producer best known as the co-creator of the web series Prom Queen and co-host of the *Better Call Saul Insider* and New Mediacracy podcasts. McCaleb was nominated three times for the Primetime Emmy Award for Outstanding Picture Editing for a Drama Series: once for his work on the AMC neo-western crime drama series Breaking Bad\, and twice for the AMC legal crime drama series Better Call Saul. \n  \n  \n  \n  \n  \n  \nEditor Joey Liew\nJoey Liew is a Thai-American Editor from Los Angeles. With over two decades of industry experience\, he has worked in long-form and short\, scripted and non-scripted. \nHis credits include Pluribus\, Better Call Saul (ACE Eddie Winner\, 2021)\, Ann Rice’s Mayfair Witches\, Rabbit Hole\,long-form and T@gged\, along with indie features\, short films\, music videos\, and commercials. \n  \n  \n  \n  \n  \n  \nJosh Apter\nJosh Apter has worked in all areas of filmmaking\, from location sound recordist on numerous feature films\, to videographer for Steven Spielberg’s Shoah Foundation\, where he recorded the testimonies of over 150 Holocaust survivors. As a film editor\, Josh has worked on over ten feature films\, including “The Holy Land” (winner Slamdance FF/Cavu Pictures Distributor)\, “Kaaterskill Falls\,” and “Barbecue is a Noun” (Audience Award for Best Documentary at the Rome International Film Festival and the River Run Film Festival). \nFrom his love of post-production\, Josh founded Manhattan Edit Workshop in 2002. MEWShop is an Avid\, Assimilate\, and Blackmagic Authorized Training Center offering a variety of classes in the art and technique of film editing. With clients ranging from AMC Networks\, HBO\, NBC\, CBS\, WNET\, and CNN\, Manhattan Edit Workshop has become the premier training destination for the highest-level content creators and media professionals.
URL:https://www.sightsoundandstory.com/event/sight-sound-story-behind-the-edit-of-pluribus/
LOCATION:ONLINE EVENT
ATTACH;FMTTYPE=image/jpeg:https://www.sightsoundandstory.com/wp-content/uploads/2026/04/sight_Sound_and_Story_Pluribus.jpg
ORGANIZER;CN="Sight%2C Sound & Story":MAILTO:Jason@mewshop.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260521T200000
DTEND;TZID=America/New_York:20260521T213000
DTSTAMP:20260531T101754
CREATED:20260424T190413Z
LAST-MODIFIED:20260514T213421Z
UID:1763-1779393600-1779399000@www.sightsoundandstory.com
SUMMARY:Sight\, Sound & Story: Behind the Lens of "Fallout"
DESCRIPTION:Sight\, Sound & Story: Behind the Lens of “Fallout”\nInside the Episode: Step inside the world of Fallout with cinematographers John Conroy\, ASC\, ISC\, and David Franco as they break down the visual language behind the series. In this episode\, moderated by Chad Anderson\, you’ll get a behind-the-scenes look at how an iconic video game universe was transformed into a bold\, cinematic television experience. \nJohn and David will share how they approached world-building through lighting\, composition\, camera movement\, and texture. They’ll also explore how they balanced realism with a stylized\, dystopian tone to bring the Wasteland to life. \nThroughout the conversation\, selected clips will highlight key moments and techniques\, offering a closer look at the creative decisions behind the series. \n  \nModerator: Chad Anderson (Manhattan Edit Workshop & Brookdale Community College)\nPanelists: Cinematographers John Conroy\, ASC\, ISC (Luther\, Penny Dreadful) & David Franco (Star Wars: Episode III – Revenge of the Sith\, Resident Evil: Afterlife) \n  \nWhen: Thursday\, May 21\, 2026 \nTime: 8:00 PM ET / 5:00 PM PT \nGeneral Admission: FREE! \n  \nAll attendees who register for this event will receive a link and password before the start of the event. This will gain free access for attendees. This will also give free replays for 48 hours. \nBy signing up for the event\, all attendees agree to receive promotional emails from Manhattan Edit Workshop. \n\n\nPanelists:\nCinematographer John Conroy\, ASC\, ISC\nJohn Conroy has had a successful career as a seasoned professional in the film and television industry. With over two decades of experience\, he has made his mark as a talented cinematographer. Conroy is known for his keen eye for detail and his ability to capture visually stunning scenes. Throughout his career\, he has worked on a diverse range of projects\, including feature films\, television series\, and documentaries. His work has received critical acclaim and has been recognized with several prestigious awards. Conroy’s commitment to his craft and his impressive body of work have solidified his reputation as a highly sought-after cinematographer in the industry. \n  \n  \n  \n  \n  \nCinematographer David Franco\nDavid Franco is a cinematographer and producer\, known for Star Wars: Episode III – Revenge of the Sith\, Ultraviolet\, and Resident Evil: Afterlife. \n  \n  \n  \n  \n  \n  \n  \n  \n  \nChad Anderson is a college professor\, animation geek\, poet\, video editor & skateboarder from the Jersey Shore. He has worked on a range of editing and visual FX projects for corporate\, educational\, broadcast\, non-profit\, and military organizations all over the country (and once in Korea). Previous clients have included E! Entertainment\, “The Charlie Rose Show\,” the WB\, The Count Basie Theatre and a film that went straight to video with John Stamos in it. He holds a Master’s in Education from NJCU and has been teaching for over 18 years.
URL:https://www.sightsoundandstory.com/event/sight-sound-story-behind-the-lens-of-fallout/
LOCATION:ONLINE EVENT
ATTACH;FMTTYPE=image/jpeg:https://www.sightsoundandstory.com/wp-content/uploads/2026/04/Fallout_behind_the_lens_Sight_sound_and_story_Cinematography-e1778794408561.jpg
ORGANIZER;CN="Sight%2C Sound & Story":MAILTO:Jason@mewshop.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260528T200000
DTEND;TZID=America/New_York:20260528T210000
DTSTAMP:20260531T101754
CREATED:20260424T191619Z
LAST-MODIFIED:20260429T145341Z
UID:1772-1779998400-1780002000@www.sightsoundandstory.com
SUMMARY:Sight\, Sound & Story: Behind the Lens of "The Pitt"
DESCRIPTION:Sight\, Sound & Story: Behind the Lens of “The Pitt”\nInside the Episode: Join Sight\, Sound & Story for an in-depth conversation with The Pitt Cinematographer Johanna Coelho\, whose visual approach is helping redefine the language of contemporary television. As the sole cinematographer on The Pitt\, Coelho crafts an unobtrusive camera style that places viewers inside the emotional intensity of a high-stakes emergency room\, creating what she describes as an almost “invisible” real-time experience. \nModerated by Josh Apter\, the discussion will explore Coelho’s creative process\, including designing long\, choreographed camera movements\, working within fully immersive 360-degree sets\, and maintaining visual continuity across an entire season. Coelho will also share and discuss favorite scenes from Season Two\, offering insight into how they were created. \nPresented as part of the ongoing Sight\, Sound & Story series\, this session offers a rare opportunity to hear from one of today’s most innovative cinematographers about collaboration\, storytelling\, and the evolving role of the camera in shaping audience experience. \n  \nModerator: Josh Apter (Owner & Founder of Manhattan Edit Workshop)\nPanelists: Cinematographer Johanna Coelho (The Rookie\, The Pitt) \n  \nWhen: Thursday\, May 28\, 2026 \nTime: 8:00 PM ET / 5:00 PM PT \nGeneral Admission: FREE! \nAll attendees who register for this event will receive a link and a password before the event begins. This will gain free access for attendees. This will also give free replays for 48 hours. \nBy signing up for the event\, all attendees agree to receive promotional emails from Manhattan Edit Workshop. \n  \n\n  \n  \nPanelists:\nCinematographer Johanna Coelho\nJohanna Coelho is a TV and film cinematographer\, also featured in Variety in 2018 as one of the Up Next generation of filmmakers. Most recently\, she served as the sole DP on HBO MAX’s The Pitt\, a unique medical drama in which each episode follows a single hour of the same 15-hour ER shift. \nPreviously\, she also worked on seasons 2 and 4 of The Rookie on ABC and has worked on a variety of content from narrative to documentary and reality TV with other renowned companies such as Netflix\, Oxygen Network\, Hello Sunshine\, Scout Productions\, and COSM. Outside of television\, her recent feature film Séance premiered at the Newport Beach Film Festival\, while her other recent feature film\, “All Happy Families\,” premiered at the Chicago Film Festival\, followed by a theatrical release across the country. \nJohanna has been passionate about creating and experimenting with meaningful images since a very young age. Her early determination and drive for cinematography have led her to be one of the youngest cinematographers to ever shoot network television. She loves to say she is a visual psychologist: her role is to understand and interpret the emotions of the characters to create the best visual atmosphere for actors to perform in. \nJohanna was born and raised in France. Seeking to enrich her European approach with the American perspective\, she moved to Los Angeles in 2011\, where she studied cinematography at the prestigious American Film Institute. \n  \nJosh Apter\nJosh Apter has worked in all areas of filmmaking\, from location sound recordist on numerous feature films\, to videographer for Steven Spielberg’s Shoah Foundation\, where he recorded the testimonies of over 150 Holocaust survivors. As a film editor\, Josh has worked on over ten feature films\, including “The Holy Land” (winner Slamdance FF/Cavu Pictures Distributor)\, “Kaaterskill Falls\,” and “Barbecue is a Noun” (Audience Award for Best Documentary at the Rome International Film Festival and the River Run Film Festival). \nFrom his love of post-production\, Josh founded Manhattan Edit Workshop in 2002. MEWShop is an Avid\, Assimilate\, and Blackmagic Authorized Training Center offering a variety of classes in the art and technique of film editing. With clients ranging from AMC Networks\, HBO\, NBC\, CBS\, WNET\, and CNN\, Manhattan Edit Workshop has become the premier training destination for the highest-level content creators and media professionals.
URL:https://www.sightsoundandstory.com/event/sight-sound-story-behind-the-lens-of-the-pitt/
LOCATION:ONLINE EVENT
ATTACH;FMTTYPE=image/jpeg:https://www.sightsoundandstory.com/wp-content/uploads/2026/04/the_pitt_behind_the_lens_Sight_sound_and_story_Cinematography.jpg
ORGANIZER;CN="Sight%2C Sound & Story":MAILTO:Jason@mewshop.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260609T200000
DTEND;TZID=America/New_York:20260609T210000
DTSTAMP:20260531T101754
CREATED:20260513T210321Z
LAST-MODIFIED:20260514T210431Z
UID:1924-1781035200-1781038800@www.sightsoundandstory.com
SUMMARY:Sight\, Sound & Story: Behind the Edit of "Euphoria"
DESCRIPTION:Sight\, Sound & Story: Behind the Edit of “Euphoria”\nGo inside the cutting room of Euphoria in this Sight\, Sound & Story panel moderated by Josh Apter. Editors Julio C. Perez IV\, ACE\, Aaron Butler\, ACE\, Aleshka Ferrero\, and Nikola Boyanov come together to discuss how they craft the show’s distinctive\, emotionally driven style. \nFrom raw\, intimate character moments to stylized\, dreamlike sequences\, the panel explores how editorial choices shape the series’ unique voice. The editors share insights into their workflow\, including collaborating with the creative team\, working with music and performance\, and balancing experimentation with storytelling clarity. \nThis conversation offers a compelling look at how editing drives the tone\, rhythm\, and impact of one of television’s most popular series. \nModerator: Josh Apter (Founder and Owner of Manhattan Edit Workshop) \nPanelists: Editors Nikola Boyanov (Euphoria\, Under the Silver Lake)\, Aaron I. Butler\, ACE (Euphoria\, Cries From Syria)\, Aleshka Ferrero (The Morning Show\, The Idol) & Julio C. Perez IV\, ACE (It Follows\, American Made) \n  \nWhere: Online \nWhen: Tuesday\, June 9\, 2026 \nTime: 8:00 PM ET / 5:00 PM PT \nGeneral Admission: FREE! \nAll attendees who register for this event will receive a link and a password before the event begins. This will gain free access for attendees. This will also give free replays for 48 hours. \nBy signing up for the event\, all attendees agree to receive promotional emails from Manhattan Edit Workshop. \n  \n\n\nPANELISTS:\nEditor Nik Boyanov\nNik Boyanov is a Bulgarian-born\, Los Angeles-based film and TV editor. He is an avid moviegoer and enjoys exploring the outdoors in his free time. His recent work includes James Sweeney’s film\, Twinless\, which won both the Audience Award and a Special Jury Prize at Sundance in 2025. He has also been nominated for three ACE Eddies\, and he won an Emmy for his work on Season 2 of HBO’s Euphoria. \n  \n  \n  \n  \n  \n  \nEditor Aaron I. Butler\, ACE\nAaron I. Butler ACE is a five-time Emmy-nominated\, two-time Emmy-winning\, and three-time ACE Eddie-nominated editor. He is best known for editing the second season of the hit HBO series Euphoria\, which earned him a Primetime Emmy and an ACE Eddie nomination. Other projects he has edited include the TIFF film J.T. LeRoy starring Kristen Stewart and Laura Dern\, and the HBO Sundance film Cries From Syria\, for which he was nominated for two Emmys and an ACE Eddie Award. \n  \n  \n  \n  \n  \nEditor Aleshka Ferrero\nAleshka Ferrero is a Puerto Rican editor based in Los Angeles. She recently wrapped on the anticipated 3rd season of the award-winning HBO Series Euphoria\, created by Sam Levinson\, with whom she also previously collaborated on HBO’s The Idol. Other recent TV work includes Hulu’s Good American Family starring Ellen Pompeo and Mark Duplass; the critically acclaimed Amazon Series A League of Their Own\, co-created by Will Graham and Abbi Jacobson\, who also stars; as well as the Emmy-winning Apple TV+ Series The Morning Show starring Jennifer Aniston\, Reese Witherspoon & Steve Carell. \nIn 2021\, Ferrero edited the film Language Lessons\, SXSW 2021’s Audience Award winner and official Berlinale selection starring Mark Duplass & Natalie Morales and directed by Morales. Other notable film credits include Innocent Voices (2004 Crystal Bear Winner – Berlin Film Festival\, Mexico’s Academy Awards selection for Best Foreign Film\, Best Editing Nominee – Ariel Awards); Under The Same Moon (2008 Sundance & TIFF Film Festivals); Tear This Heart Out (2009 Academy Awards Best Foreign Film Nominations short list); and You’re Killing Me Susana (2016) starring Gael García Bernal. \nAleshka participated in Film Independent’s Project Involve Fellowship (2016) and the ACE Diversity Mentorship Program (2017). She has twice been invited to edit at the Sundance Institute Director’s Lab (2018 & 2022). \n  \nEditor Julio C. Perez IV\, ACE\nJulio C. Perez IV\, ACE\, lives and works in Los Angeles\, editing narrative and documentary features and television. Perez produced and served as the supervising editor on Season 3 of the acclaimed HBO series Euphoria\, continuing his long-running collaboration with writer/director Sam Levinson. His work on Euphoria has earned critical acclaim\, including an Emmy Award for the Season 2 episode “The Theater and Its Double\,” and ACE Eddie Award nominations for the pilot and the bridge episodes “Trouble Don’t Last Always” and “Fuck Anyone Who’s Not a Sea Blob.” \nPerez’s collaboration with Levinson began with a recut of Assassination Nation (2018 Sundance Film Festival)\, which sold to Neon & AGBO for the biggest deal of the festival\, and continued with the pandemic-shot Netflix film Malcolm & Marie\, starring Zendaya and John David Washington. \nPerez edited the Hulu series Chad Powers\, created by and starring Glen Powell. He also edited Under the Silver Lake with writer/director David Robert Mitchell\, which premiered in competition at Cannes in 2018. The film stars Andrew Garfield and Riley Keough. This was Julio’s third film with writer/director David Robert Mitchell – the others being the critically acclaimed and award-winning It Follows\, for which Julio was nominated for an Independent Spirit Award for Best Editing\, and The Myth of the American Sleepover (SXSW\, Cannes International Critics Week). \nSome of his other credits include This is Martin Bonner (Best of Next Audience Award Winner\, Sundance Film Festival; John Cassavetes Award Winner\, Independent Spirit Awards)\, His House (NHK Award Winner\, Sundance Film Festival)\, Mistaken for Strangers (additional editing; Official Selection\, Tribeca Film Festival)\, Dior and I (Official Selection\, Tribeca Film Festival)\, and BJ Perlmutt’s documentary\, Havana Motor Club. \nWhen not clicking away in a dim cave for a dollar\, Julio loves to watch old movies and wander around forests\, deserts\, and cities. \n  \nJosh Apter\n has worked in all areas of filmmaking\, from location sound recordist on numerous feature films\, to videographer for Steven Spielberg’s Shoah Foundation\, where he recorded the testimonies of over 150 Holocaust survivors. As a film editor\, Josh has worked on over ten feature films\, including “The Holy Land” (winner Slamdance FF/Cavu Pictures Distributor)\, “Kaaterskill Falls\,” and “Barbecue is a Noun” (Audience Award for Best Documentary at the Rome International Film Festival and the River Run Film Festival). \nFrom his love of post-production\, Josh founded Manhattan Edit Workshop in 2002. MEWShop is an Avid\, Assimilate\, and Blackmagic Authorized Training Center offering a variety of classes in the art and technique of film editing. With clients ranging from AMC Networks\, HBO\, NBC\, CBS\, WNET\, and CNN\, Manhattan Edit Workshop has become the premier training destination for the highest-level content creators and media professionals.
URL:https://www.sightsoundandstory.com/event/sight-sound-story-behind-the-edit-of-euphoria/
LOCATION:ONLINE EVENT
ATTACH;FMTTYPE=image/jpeg:https://www.sightsoundandstory.com/wp-content/uploads/2026/05/euphoria_behind_the_edit_Sight_sound_and_Story.jpg
ORGANIZER;CN="Sight%2C Sound & Story":MAILTO:Jason@mewshop.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260611T200000
DTEND;TZID=America/New_York:20260611T210000
DTSTAMP:20260531T101754
CREATED:20260514T211736Z
LAST-MODIFIED:20260514T213455Z
UID:1935-1781208000-1781211600@www.sightsoundandstory.com
SUMMARY:Sight\, Sound & Story: Behind the Lens and Edit of "The Boys"
DESCRIPTION:Sight\, Sound & Story: Behind the Lens and Edit of “The Boys”\nAs “The Boys“ heads into its final season\, join Sight\, Sound & Story for a conversation with Cinematographers Jonathon Cliff\, CSC\, and Dylan MacLeod\, CSC\, alongside Editor David Kaldor\, moderated by our own Chad Anderson. \nThe panel will explore the creative collaboration behind one of television’s most visually bold series\, from developing the show’s cinematic style and shooting large-scale action sequences to shaping tone\, pacing\, and tension in the edit. The discussion will also examine the unique challenges of bringing the final season to life and closing out the world of “The Boys”. \nWhether you’re a filmmaker\, creative\, or fan of the series\, this is a chance to hear directly from the artists helping craft the final chapter of the hit show. \nModerator: Chad Anderson (Manhattan Edit Workshop & Brookdale Community College)\nPanelists: Cinematographer Jonathon Cliff\, CSC (“Gen V\,” “People of Earth”)\, Cinematographer Dylan MacLeod\, CSC (“From\,” “Lock & Key”)\, and Editor David Kaldor (“Suits\,” “Lost in Space”) \nWhere: Online \nWhen: Thursday\, June 11\, 2026 \nTime: 8:00 PM ET / 5:00 PM PT \nGeneral Admission: FREE! \nAll attendees who register for this event will receive a link and a password before the event begins. This will gain free access for attendees. This will also give free replays for 48 hours. \n  \nBy signing up for the event\, all attendees agree to receive promotional emails from Manhattan Edit Workshop. \n\n  \nPANELISTS:\nCinematographer Jonathon Cliff\, CSC\nJonathon Cliff – or Jonny\, as he’s affectionately known – came to cinematography from a background in high-profile stills photography. He is a multi-award-winning DP who brings a versatility to the table that’s hard to match. Jonathon’s TV credits include Season 1 of the EOne/POP series “Let’s Get Physical” and Season 1 and 2 of the Warner Horizon/TBS series “People of Earth”\, which garnered him a Canadian Society of Cinematographers nomination for Best Cinematography in the TV series category. \nHe has shot everything from an innovative Iraq war story (“Redacted” with Director Brian De Palma)\, to dark romantic comedies (“Lovesick”\, starring Jay Baruchel and Jessica Paré)\, to award-winning documentaries (Alan Zweig’s “Hurt”\, for which Jonathon was the primary DP). \n  \nEditor David Kaldor\nRaised in rural Vermont\, David Kaldor began his film and television career as an unpaid intern on David Mamet’s “The Winslow Boy” in Cambridge\, Massachusetts. Learning on film\, he sorted trim bins\, cleaned the work picture\, and the Steenbeck each morning. He went back to work on “State and Main” while attending Emerson College before moving to NYC to work on “Heist” and the Academy Award-winning “Frida.” \nHe has lived in Los Angeles since 2002\, working primarily in television with writer/producers David Mamet\, Shawn Ryan\, Ted Griffin\, Aaron Korsh\, and Eric Kripke. \n  \nCinematographer Dylan Macleod\, CSC\nDylan Macleod is a Canadian cinematographer. He won a Gemini Award for Best Photography in a Variety or Performing Arts Program or Series at the 25th Gemini Awards in 2010 for the television film “Nureyev\,” a Canadian Screen Award for Best Photography in a Variety or Performing Arts or Sketch Comedy Program at the 1st Canadian Screen Awards for “Love Lies Bleeding\,” and the Borsos Competition award for best cinematography in a Canadian film at the 2015 Whistler Film Festival\, for his work on Ingrid Veninger’s 2015 film “He Hated Pigeons.” He has worked on nine total episodes for Amazon Prime Video’s hit series\, “The Boys.” \n  \n  \n  \n  \n  \nChad Anderson\nChad Anderson is a college professor\, animation geek\, poet\, video editor & skateboarder from the Jersey Shore. He has worked on a range of editing and visual FX projects for corporate\, educational\, broadcast\, non-profit\, and military organizations all over the country (and once in Korea). Previous clients have included E! Entertainment\, “The Charlie Rose Show\,” the WB\, The Count Basie Theatre\, and a film that went straight to video with John Stamos in it. He holds a Master’s in Education from NJCU and has been teaching for over 18 years.
URL:https://www.sightsoundandstory.com/event/sight-sound-story-behind-the-lens-and-edit-of-the-boys/
LOCATION:ONLINE EVENT
ATTACH;FMTTYPE=image/jpeg:https://www.sightsoundandstory.com/wp-content/uploads/2026/05/Behind_the_Edit_andLens_The_boys_sight_sound_and_Story.jpg
ORGANIZER;CN="Sight%2C Sound & Story":MAILTO:Jason@mewshop.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260618T200000
DTEND;TZID=America/New_York:20260618T210000
DTSTAMP:20260531T101754
CREATED:20260514T213042Z
LAST-MODIFIED:20260526T125917Z
UID:1942-1781812800-1781816400@www.sightsoundandstory.com
SUMMARY:Sight\, Sound & Story: Inside the Sound of "Bait"
DESCRIPTION:Sight\, Sound & Story: Inside the Sound of “Bait”\nJoin us for a conversation with the sound team behind Prime Video’s new series “Bait\,” starring Riz Ahmed. Re-recording Mixer Richard Davey\, Supervising Sound Editor Jack Gillies\, and Supervising Dialogue Editor Steve Berezai\, moderated by Amy Leyland\, will break down how the show’s distinctive soundscape was built—from early dialogue shaping and editorial decisions through to the final mix—and how sound was used to drive tension\, atmosphere\, and storytelling across the series. \nModerator: Amy Leland (Filmmaker\, Editor & Manhattan Edit Workshop )\nPanelists: Re-recording Mixer Richard Davey (“Veep\,” “The Sound of 007”)\, Supervising Sound Editor Jack Gillies (“The Last Kingdom: Seven Kings Must Die\,” “Fleabag”)\, and Supervising Dialogue Editor Steve Berezai(“The Last Kingdom: Seven Kings Must Die\,””Beyond Paradise”) \nWhere: Online \nWhen: Thursday\, June 18\, 2026 \nTime: 8:00 PM ET / 5:00 PM PT \nGeneral Admission: FREE! \nAll attendees who register for this event will receive a link and a password before the event begins. This will gain free access for attendees. This will also give free replays for 48 hours. \nBy signing up for the event\, all attendees agree to receive promotional emails from Manhattan Edit Workshop. \n\n  \nPANELISTS:\nSupervising Dialogue Editor Steve Berezai\nSteve Berezai is a supervising dialogue and ADR editor working across high-end television comedy\, drama\, and feature film. With more than a decade of experience in post-production sound\, Steve crafts nuanced dialogue soundtracks for both critically acclaimed and commercially successful productions\, including “Bait\,” “Unforgotten\,” “Miss Austen\,” “Red Eye”\, and “The Last Kingdom: Seven Kings Must Die.” \n  \n  \n  \n  \n  \n  \nRe-recording Mixer Richard Davey\nRichard Davey is a three-time Emmy-\, BAFTA-\, and RTS-nominated re-recording mixer and co-founder of the London-based audio post-production facility Jumbuck Film & TV. \nHis career spans 25 years\, and his extensive credits include series such as “Bait\,” “Rivals\,” “Legends\,” “One Day\,” “Top Boy\,” “Veep\,” and “The Last Kingdom\,” as well as feature documentaries including “The Sound of 007” and “Oasis: Supersonic.” He specialises in high-end television drama\, comedy\, documentary\, and feature films. \n  \n  \n  \n  \nSupervising Sound Editor Jack Gillies\nJack Gillies is an MPSE-winning supervising sound editor whose work across high-end television dramas and comedies\, feature films\, and documentaries spans more than two decades. His credits include major television productions such as “Bait\,” “Legends\,” “Top Boy\,” “Veep”\, and “The Last Kingdom\,” alongside feature work including “Fighting with my Family\,” “The Last Kingdom: Seven Kings Must Die\,” and documentaries such as “Oasis: Supersonic\,” and “Coldplay: A Head Full of Dreams.” \n  \n  \n  \n  \n  \nEditor & Moderator Amy Leland\nAmy Leland is a film and TV director\, writer\, and editor. She has been an editor for CBS Sports Network since 2013. She was an editor at NBC Sports for the 2024 Summer Olympic Games\, for which she received a Sports Emmy award. She returned for the 2026 Winter Olympic Games. She was an editor for “Football Town: Barrow\, Alaska” on the NFL Network. She spent 3 seasons as the assistant editor on “Inside the Actors Studio”. Her short film “Echoes” is now available on Amazon Video. She has served as director or editor for numerous web series and short films\, and edited the feature film “Sundown”. She has served as an industry expert\, panelist\, and contributing writer to post-production websites\, including postPerspective.com and AVIDBlogs. She is a stage director with 20+ years of experience and received her MFA from the Actors Studio Drama School. Amy is a certified trainer for Apple\, AVID\, and Autodesk.
URL:https://www.sightsoundandstory.com/event/sight-sound-story-inside-the-sound-of-bait/
LOCATION:ONLINE EVENT
ATTACH;FMTTYPE=image/jpeg:https://www.sightsoundandstory.com/wp-content/uploads/2026/05/behind_the_sound_of_Bait_Sight_Sound_and_Story-e1778794335183.jpg
ORGANIZER;CN="Sight%2C Sound & Story":MAILTO:Jason@mewshop.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260709T200000
DTEND;TZID=America/New_York:20260709T210000
DTSTAMP:20260531T101754
CREATED:20260514T215905Z
LAST-MODIFIED:20260514T215905Z
UID:1951-1783627200-1783630800@www.sightsoundandstory.com
SUMMARY:Behind the Lens  of "Jury Duty Presents: Company Retreat"
DESCRIPTION:Behind the Lens of “Jury Duty Presents: Company Retreat”\ntJoin us for a deep dive into “Jury Duty Presents: Company Retreat\,” a unique comedic series set during a corporate retreat where almost the entire cast are actors\, except Anthony\, an unwitting participant whose real reactions shape the unfolding story. Director of Photography Chris Darnell joins moderator Chad Anderson to explore how the series was crafted from lens to edit. They will discuss how visual choices\, performance\, and storytelling work around this unusual mix of scripted and unscripted reality. \nModerator: Chad Anderson (Manhattan Edit Workshop & Brookdale Community College)\nPanelists: Cinematographer Chris Darnell (“Borat Subsequent Moviefilm”\, “Bad Trip”) \nWhere: Online \nWhen: Thursday\, July 9\, 2026 \nTime: 8:00 PM ET / 5:00 PM PT \nGeneral Admission: FREE! \nAll attendees who register for this event will receive a link and a password before the event begins. This will gain free access for attendees. This will also give free replays for 48 hours. \n  \nBy signing up for the event\, all attendees agree to receive promotional emails from Manhattan Edit Workshop. \n\n  \nPANELISTS:\nChris Darnell\nChris Darnell is a Los Angeles-based cinematographer known for blending documentary realism with cinematic comedy across film\, television\, and hidden-camera productions. He gained widespread recognition for his work on the Emmy-nominated comedy series “Jury Duty\,” following earlier high-profile projects including “Borat Subsequent Moviefilm\,” “Bad Trip\,” Showtime’s “Who Is America?\,” Netflix’s “Murder” promos\, and “Impractical Jokers” feature projects. \n  \n  \n  \n  \nChad Anderson\nChad Anderson is a college professor\, animation geek\, poet\, video editor & skateboarder from the Jersey Shore. He has worked on a range of editing and visual FX projects for corporate\, educational\, broadcast\, non-profit\, and military organizations all over the country (and once in Korea). Previous clients have included E! Entertainment\, “The Charlie Rose Show\,” the WB\, The Count Basie Theatre and a film that went straight to video with John Stamos in it. He holds a Master’s in Education from NJCU and has been teaching for over 18 years.
URL:https://www.sightsoundandstory.com/event/behind-the-lens-of-jury-duty-presents-company-retreat/
LOCATION:ONLINE EVENT
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ORGANIZER;CN="Sight%2C Sound & Story":MAILTO:Jason@mewshop.com
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