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DTSTART;TZID=America/New_York:20260507T200000
DTEND;TZID=America/New_York:20260520T210000
DTSTAMP:20260712T201537
CREATED:20260424T171939Z
LAST-MODIFIED:20260424T190552Z
UID:1756-1778184000-1779310800@www.sightsoundandstory.com
SUMMARY:Sight\, Sound & Story: Behind the Edit of "Pluribus"
DESCRIPTION:Sight\, Sound & Story: Behind the Edit of “Pluribus”\nInside the Episode: Pluribus\, the latest series from Vince Gilligan\, delivers a gripping blend of thriller\, mystery\, and dark humor. Set in a world reshaped by a mysterious event that links nearly all of humanity into a shared consciousness\, an unsettling wave of forced happiness takes hold. \nStep inside the edit of Pluribus with an all-star team: Skip Macdonald\, ACE\, Chris McCaleb\, ACE\, and Joey Liew. Hear how their longtime collaboration with Vince Gilligan informs their approach to story\, tone\, and pacing. \nFeaturing exclusive scene breakdowns and behind-the-scenes insights into the moments that define the series. Moderated by Josh Apter\, this is a must-see conversation for anyone passionate about storytelling and the art of editing. \n  \nModerator: Josh Apter (Founder and Owner of Manhattan Edit Workshop) \nPanelists: Editors Skip Macdonald\, ACE (Breaking Bad\, Better Call Saul)\, Chris McCaleb\, ACE (Breaking Bad\, Better Call Saul) & Joey Liew (Better Call Saul\, Rabbit Hole) \n  \nWhen: Thursday\, May 7\, 2026 \nTime: 8:00 PM ET / 5:00 PM PT \nGeneral Admission: FREE! \n  \nAll attendees who register for this event will receive a link and password before the start of the event. This will gain free access for attendees. This will also give free replays for 48 hours. \nBy signing up for the event\, all attendees agree to receive promotional emails from Manhattan Edit Workshop. \n\n  \nPanelists:\nEditor Skip Macdonald\, ACE\nSkip Macdonald\, ACE\, is an American film and television editor renowned for his work on the critically acclaimed AMC series Breaking Bad\, its prequel spin-off Better Call Saul\, and the feature film El Camino: A Breaking Bad Movie. A member of the American Cinema Editors (ACE)\, Macdonald has earned multiple Primetime Emmy Awards for Outstanding Single-Camera Picture Editing for a Drama Series\, including for the Breaking Bad series finale\, “Felina\,” in 2014\, and the Better Call Saul finale\, “Saul Gone\,” in 2023. His editing style emphasizes precise pacing\, tension-building\, and collaboration with directors and showrunners such as Vince Gilligan to maintain the narrative tone and emotional depth. \nMacdonald entered the industry in the late 1970s as a sound apprentice on the independent film The Great American Success Story (originally titled Ringer)\, starring Jeff Bridges and Bianca Jagger. He advanced through roles in sound editing and assistance on major productions such as Michael Cimino’s Heaven’s Gate\, where he handled cutting and Foley work\, and later assisted on Nell and Primal Fear. Transitioning to picture editing\, he took over as editor on the television series Buffy the Vampire Slayer after the original editor departed\, marking a pivotal shift in his career toward scripted television. \nHis involvement with the Breaking Bad universe began in its inaugural 2008 season\, when he was recommended by a post-production producer and hired following an interview with series creator Vince Gilligan; he continued editing every season of both Breaking Bad and Better Call Saul\, contributing to their distinctive montage sequences and time-jump structures. Beyond this franchise\, Macdonald’s credits include the pilot episode of Hell on Wheels\, episodes of Foundation\, and other projects like Las Vegas. His career spans over four decades\, highlighting a progression from sound work to Emmy-winning picture editing in high-profile drama series. \n  \nEditor Chris McCaleb\, ACE\,\n Chris McCaleb\, ACE\, is an American film editor\, director\, and producer best known as the co-creator of the web series Prom Queen and co-host of the *Better Call Saul Insider* and New Mediacracy podcasts. McCaleb was nominated three times for the Primetime Emmy Award for Outstanding Picture Editing for a Drama Series: once for his work on the AMC neo-western crime drama series Breaking Bad\, and twice for the AMC legal crime drama series Better Call Saul. \n  \n  \n  \n  \n  \n  \nEditor Joey Liew\nJoey Liew is a Thai-American Editor from Los Angeles. With over two decades of industry experience\, he has worked in long-form and short\, scripted and non-scripted. \nHis credits include Pluribus\, Better Call Saul (ACE Eddie Winner\, 2021)\, Ann Rice’s Mayfair Witches\, Rabbit Hole\,long-form and T@gged\, along with indie features\, short films\, music videos\, and commercials. \n  \n  \n  \n  \n  \n  \nJosh Apter\nJosh Apter has worked in all areas of filmmaking\, from location sound recordist on numerous feature films\, to videographer for Steven Spielberg’s Shoah Foundation\, where he recorded the testimonies of over 150 Holocaust survivors. As a film editor\, Josh has worked on over ten feature films\, including “The Holy Land” (winner Slamdance FF/Cavu Pictures Distributor)\, “Kaaterskill Falls\,” and “Barbecue is a Noun” (Audience Award for Best Documentary at the Rome International Film Festival and the River Run Film Festival). \nFrom his love of post-production\, Josh founded Manhattan Edit Workshop in 2002. MEWShop is an Avid\, Assimilate\, and Blackmagic Authorized Training Center offering a variety of classes in the art and technique of film editing. With clients ranging from AMC Networks\, HBO\, NBC\, CBS\, WNET\, and CNN\, Manhattan Edit Workshop has become the premier training destination for the highest-level content creators and media professionals.
URL:https://www.sightsoundandstory.com/event/sight-sound-story-behind-the-edit-of-pluribus/
LOCATION:ONLINE EVENT
ATTACH;FMTTYPE=image/jpeg:https://www.sightsoundandstory.com/wp-content/uploads/2026/04/sight_Sound_and_Story_Pluribus.jpg
ORGANIZER;CN="Sight%2C Sound & Story":MAILTO:Jason@mewshop.com
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DTSTART;TZID=America/New_York:20260528T200000
DTEND;TZID=America/New_York:20260528T210000
DTSTAMP:20260712T201537
CREATED:20260424T191619Z
LAST-MODIFIED:20260429T145341Z
UID:1772-1779998400-1780002000@www.sightsoundandstory.com
SUMMARY:Sight\, Sound & Story: Behind the Lens of "The Pitt"
DESCRIPTION:Sight\, Sound & Story: Behind the Lens of “The Pitt”\nInside the Episode: Join Sight\, Sound & Story for an in-depth conversation with The Pitt Cinematographer Johanna Coelho\, whose visual approach is helping redefine the language of contemporary television. As the sole cinematographer on The Pitt\, Coelho crafts an unobtrusive camera style that places viewers inside the emotional intensity of a high-stakes emergency room\, creating what she describes as an almost “invisible” real-time experience. \nModerated by Josh Apter\, the discussion will explore Coelho’s creative process\, including designing long\, choreographed camera movements\, working within fully immersive 360-degree sets\, and maintaining visual continuity across an entire season. Coelho will also share and discuss favorite scenes from Season Two\, offering insight into how they were created. \nPresented as part of the ongoing Sight\, Sound & Story series\, this session offers a rare opportunity to hear from one of today’s most innovative cinematographers about collaboration\, storytelling\, and the evolving role of the camera in shaping audience experience. \n  \nModerator: Josh Apter (Owner & Founder of Manhattan Edit Workshop)\nPanelists: Cinematographer Johanna Coelho (The Rookie\, The Pitt) \n  \nWhen: Thursday\, May 28\, 2026 \nTime: 8:00 PM ET / 5:00 PM PT \nGeneral Admission: FREE! \nAll attendees who register for this event will receive a link and a password before the event begins. This will gain free access for attendees. This will also give free replays for 48 hours. \nBy signing up for the event\, all attendees agree to receive promotional emails from Manhattan Edit Workshop. \n  \n\n  \n  \nPanelists:\nCinematographer Johanna Coelho\nJohanna Coelho is a TV and film cinematographer\, also featured in Variety in 2018 as one of the Up Next generation of filmmakers. Most recently\, she served as the sole DP on HBO MAX’s The Pitt\, a unique medical drama in which each episode follows a single hour of the same 15-hour ER shift. \nPreviously\, she also worked on seasons 2 and 4 of The Rookie on ABC and has worked on a variety of content from narrative to documentary and reality TV with other renowned companies such as Netflix\, Oxygen Network\, Hello Sunshine\, Scout Productions\, and COSM. Outside of television\, her recent feature film Séance premiered at the Newport Beach Film Festival\, while her other recent feature film\, “All Happy Families\,” premiered at the Chicago Film Festival\, followed by a theatrical release across the country. \nJohanna has been passionate about creating and experimenting with meaningful images since a very young age. Her early determination and drive for cinematography have led her to be one of the youngest cinematographers to ever shoot network television. She loves to say she is a visual psychologist: her role is to understand and interpret the emotions of the characters to create the best visual atmosphere for actors to perform in. \nJohanna was born and raised in France. Seeking to enrich her European approach with the American perspective\, she moved to Los Angeles in 2011\, where she studied cinematography at the prestigious American Film Institute. \n  \nJosh Apter\nJosh Apter has worked in all areas of filmmaking\, from location sound recordist on numerous feature films\, to videographer for Steven Spielberg’s Shoah Foundation\, where he recorded the testimonies of over 150 Holocaust survivors. As a film editor\, Josh has worked on over ten feature films\, including “The Holy Land” (winner Slamdance FF/Cavu Pictures Distributor)\, “Kaaterskill Falls\,” and “Barbecue is a Noun” (Audience Award for Best Documentary at the Rome International Film Festival and the River Run Film Festival). \nFrom his love of post-production\, Josh founded Manhattan Edit Workshop in 2002. MEWShop is an Avid\, Assimilate\, and Blackmagic Authorized Training Center offering a variety of classes in the art and technique of film editing. With clients ranging from AMC Networks\, HBO\, NBC\, CBS\, WNET\, and CNN\, Manhattan Edit Workshop has become the premier training destination for the highest-level content creators and media professionals.
URL:https://www.sightsoundandstory.com/event/sight-sound-story-behind-the-lens-of-the-pitt/
LOCATION:ONLINE EVENT
ATTACH;FMTTYPE=image/jpeg:https://www.sightsoundandstory.com/wp-content/uploads/2026/04/the_pitt_behind_the_lens_Sight_sound_and_story_Cinematography.jpg
ORGANIZER;CN="Sight%2C Sound & Story":MAILTO:Jason@mewshop.com
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