Bringing a harrowing real-life story to the screen demands the lightest possible touch of Hollywood’s usual hyperreality. Hulu’s Dopesick, based on Beth Macy’s book, tackles the background to America’s opioid addiction […]
Author Archives: Site Sound & Story
Tech leader will be part of the Official SXSW panel for MUSIC MATTERS! presented by Give A Note Foundation & Artist For Artist and full product showcase at The Jam […]
Los Angeles, California: The ZEISS Cinematography Team will be attending and supporting this year’s South by Southwest Creative Industries Expo. Held at the Austin Convention Center March 13-16, ZEISS will […]
Achieving a post-produced look in live television is the ultimate goal, but demands the right combination of technology and engineering expertise, and a lot of experimentation as FOX uncovered during […]
Grass Valley, CA (February 8, 2022) – AJA Video Systems today released a free Mini-Config v2.26.3 software update, enhancing its popular Mini-Converter line with powerful new functionality for select models. The release boasts […]
Cinematographer Sandra Valde-Hansen (The L Word: Generation Q, Now Apocalypse, White Bird in a Blizzard, Kaboom) found herself capturing scenes in diverse weather and lighting for Natalie Morales’ film Plan B. This road […]
Grass Valley, CA (February 3, 2022) — AJA Video Systems today unveiled Desktop Software v16.2 for all KONA, Io, and T-TAP Pro products, in addition to AJA SDK v16.2 for Developer Partners. This […]
Grass Valley, CA (February 3, 2022) – AJA Video Systems has unveiled Io X3, a Thunderbolt™ 3-connected professional video and audio I/O device that offers HDR or SDR 2K/HD capture and output via […]
ZEISS will kick off their 2022 virtual Film Festival Week on Friday, January 21 with an in-depth roundtable featuring six cinematographers—each with a project screening at the Park City festival. […]
From Microsoft Teams to Zoom, the use of video conferencing platforms has seen unprecedented growth in the last two years, with more in-person meetings abandoned in favor of virtual ones. […]










