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Behind the Lens: A Glimpse into the Cinematography of "Foundation"  Sight, Sound & Story: Making the

Join us for an enlightening session where Colorists Jill Bogdanowicz and Mitch Paulson, both luminaries in the field, will unveil their expertise, techniques, and creative strategies in color grading. This event debuts on July 24th - sign up now!

Sight, Sound & Story: Behind the Production of "Masters of the Air"

Step into the meticulously crafted world of "Masters of the Air," where the 1940s comes to life through intricate sets and costumes, complemented by awe-inspiring aerial scenes.

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On November 15th, step into the world of episodic television editing with our panel of distinguished editors Kelley Dixon, ACE, Shannon Baker Davis, ACE, and Bradinn French, ACE. Sign up Now!

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Look back at our June Sight, Sound & Story: Live Online "Behind The Edit of Ted Lasso!"

Sight, Sound & Story Live - "Behind the Sound of Everything Everywhere All At Once"

Take a look back at Sight, Sound & Story Live - "Behind the Sound of Everything Everywhere All At Once" from 2022!

Sight, Sound & Story: Live - Inside the Cutting Room of "Succession"

Sight, Sound & Story: Live Online with Inside the Cutting Room of "Succession"!

Sight, Sound and Story Live - Making the Grade: Color in TV & Film

Take a look back at July's Sight, Sound & Story: Live Online with “Making the Grade: Color in TV & Film.”

Sight, Sound and Story Live - Inside the Cutting Room of Dede Allen

Check out our June 2021 event Sight, Sound & Story: Live Online with “Inside the Cutting Room of Dede Allen”!

Sight, Sound & Story: Live Online with "Inside the Cutting Room of Schitt's Creek"

Check out our event Sight, Sound & Story: Live Online"Inside the Cutting Room of Schitt's Creek" from from April 2021!

SSS 2014 Saving Private Ryan

Editor Michael Kahn, ACE Discusses the Techniques Used in the Opening Scene of "Saving Private Ryan” from "Sight, Sound & Story: Post Production Summit" 2014

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The Sight, Sound & Story Audio Podcasts are now available!

“Thank you for bringing us the Sam/Bobbie O’Steen Masterclass. It was such a breath of fresh air, so so good. I’m in the middle of cutting a show for Amazon and it was a timely infusion of great craft and energy in the current madness - a reminder of where we have come from and The Greats who have brought us here. I’ve been thinking about it every day since. That’s the beauty of legacy.” 

- Editor Stephen O’Connell (Dublin)

“What a masterclass that discussion was about Dede’s work. I also truly believe I continue to become a better editor every time I dive into your discussions. Thank you for always shining a light on our craft, but also on Dede’s work."

- Editor Myron Kerstein, ACE (In The Heights, Crazy Rich Asians)

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Sight, Sound & Story 2019: Behind the Lens with Cinematographer Dean Cundey, ASC Part I from Sight, Sound & Story: The Art of Cinematography 2019

Editor Bill Henry, ACE, Discusses a Complex Table Scene from "Succession" from Sight, Sound & Story: Inside the Cutting Room of Succession with Bobbie O'Steen

The Cinematography Behind the "Red Wedding" Episode Explained by Rob McLachlan ASC, CSC, from Sight, Sound & Story: The Art of Cinematography 2018

Editor Dylan Tichenor, ACE on Shaping a Quiet Scene in "There Will Be Blood" From Sight, Sound & Story: Post Production Summit 2017

Editor Michael Kahn, ACE Discusses the Most Difficult Scene to Cut from "Raiders of the Lost Ark" from Sight, Sound & Story: Post Production Summit 2014 

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