 Join us for an in-depth exploration of the post-production process for the feature film "Blitz," directed by Steve McQueen. Editor Peter Sciberras, ACE, along with Supervising Sound Editor and Re-Recording Mixers Paul Cotterall and James Harrison, will share insights on their unique approach to editing and sound design, highlighting how they crafted an atmosphere filled with suspense and captured the intense experience of a city under siege. Debuts on November 26th! |  Join us for an enlightening session where Colorists Jill Bogdanowicz and Mitch Paulson, both luminaries in the field, will unveil their expertise, techniques, and creative strategies in color grading. |
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 Step into the meticulously crafted world of "Masters of the Air," where the 1940s comes to life through intricate sets and costumes, complemented by awe-inspiring aerial scenes. |  On November 15th, step into the world of episodic television editing with our panel of distinguished editors Kelley Dixon, ACE, Shannon Baker Davis, ACE, and Bradinn French, ACE. Sign up Now! |
 Look back at our June Sight, Sound & Story: Live Online "Behind The Edit of Ted Lasso!" |  Take a look back at Sight, Sound & Story Live - "Behind the Sound of Everything Everywhere All At Once" from 2022! |
 Sight, Sound & Story: Live Online with Inside the Cutting Room of "Succession"! |  Take a look back at July's Sight, Sound & Story: Live Online with “Making the Grade: Color in TV & Film.” |
 Check out our June 2021 event Sight, Sound & Story: Live Online with “Inside the Cutting Room of Dede Allen”! |  Check out our event Sight, Sound & Story: Live Online"Inside the Cutting Room of Schitt's Creek" from from April 2021! |
 Editor Michael Kahn, ACE Discusses the Techniques Used in the Opening Scene of "Saving Private Ryan” from "Sight, Sound & Story: Post Production Summit" 2014 |  The Sight, Sound & Story Audio Podcasts are now available! |
“Thank you for bringing us the Sam/Bobbie O’Steen Masterclass. It was such a breath of fresh air, so so good. I’m in the middle of cutting a show for Amazon and it was a timely infusion of great craft and energy in the current madness - a reminder of where we have come from and The Greats who have brought us here. I’ve been thinking about it every day since. That’s the beauty of legacy.”
- Editor Stephen O’Connell (Dublin)
“What a masterclass that discussion was about Dede’s work. I also truly believe I continue to become a better editor every time I dive into your discussions. Thank you for always shining a light on our craft, but also on Dede’s work."
- Editor Myron Kerstein, ACE (In The Heights, Crazy Rich Asians)
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Sight, Sound & Story 2019: Behind the Lens with Cinematographer Dean Cundey, ASC Part I from Sight, Sound & Story: The Art of Cinematography 2019
Editor Bill Henry, ACE, Discusses a Complex Table Scene from "Succession" from Sight, Sound & Story: Inside the Cutting Room of Succession with Bobbie O'Steen
The Cinematography Behind the "Red Wedding" Episode Explained by Rob McLachlan ASC, CSC, from Sight, Sound & Story: The Art of Cinematography 2018
Legendary Editor Anne V. Coates, ACE on the Famous "Match Cut" from "Lawrence of Arabia" From Sight, Sound & Story: Post Production Summit 2016
Editor Dylan Tichenor, ACE on Shaping a Quiet Scene in "There Will Be Blood" From Sight, Sound & Story: Post Production Summit 2017
Editor Michael Kahn, ACE Discusses the Most Difficult Scene to Cut from "Raiders of the Lost Ark" from Sight, Sound & Story: Post Production Summit 2014