 On November 15th, step into the world of episodic television editing with our panel of distinguished editors Kelley Dixon, ACE, Shannon Baker Davis, ACE, and Bradinn French, ACE. Sign up Now! |  Look back at Sight, Sound & Story: Live Online with "The Sound of "Bono and The Edge: A Sort of Homecoming" |
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 Join us on June 29th for Sight, Sound & Story: Live Online with Behind the Edit of "Hello Tomorrow!" Sign up now! |  Look back at our June Sight, Sound & Story: Live Online "Behind The Edit of Ted Lasso!" |
 Take a look back at Sight, Sound & Story Live - "Making the Grade: Color Correcting the TV Series" |  Take a look back at Sight, Sound & Story Live - "Behind the Sound of Everything Everywhere All At Once" from 2022! |
 Sight, Sound & Story: Live Online with SoundShow - Behind The Sound of "Ted Lasso"! |  Sight, Sound & Story: Live Online with Inside the Cutting Room of "Succession"! |
 Take a look back at July's Sight, Sound & Story: Live Online with “Making the Grade: Color in TV & Film.” |  Check out our June 2021 event Sight, Sound & Story: Live Online with “Inside the Cutting Room of Dede Allen”! |
 Check out our event Sight, Sound & Story: Live Online"Inside the Cutting Room of Schitt's Creek" from from April 2021! |  Legendary Editor Anne V. Coates, ACE on the Famous "Match Cut" in "Lawrence of Arabia" from "Sight, Sound & Story: Post Production Summit" 2016 |
 Editor Michael Kahn, ACE Discusses the Techniques Used in the Opening Scene of "Saving Private Ryan” from "Sight, Sound & Story: Post Production Summit" 2014 |  The Cinematography Behind the "Red Wedding" Episode Explained by Rob McLachlan ASC, CSC from "Sight, Sound & Story: The Art of Cinematography 2018 |
 The Sight, Sound & Story Audio Podcasts are now available! |
“Thank you for bringing us the Sam/Bobbie O’Steen Masterclass. It was such a breath of fresh air, so so good. I’m in the middle of cutting a show for Amazon and it was a timely infusion of great craft and energy in the current madness - a reminder of where we have come from and The Greats who have brought us here. I’ve been thinking about it every day since. That’s the beauty of legacy.”
- Editor Stephen O’Connell (Dublin)
“What a masterclass that discussion was about Dede’s work. I also truly believe I continue to become a better editor every time I dive into your discussions. Thank you for always shining a light on our craft, but also on Dede’s work."
- Editor Myron Kerstein, ACE (In The Heights, Crazy Rich Asians)
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Sight, Sound & Story: Live - "Mentors inside the Cutting Room" from July 2020
Sight, Sound & Story 2019: Behind the Lens with Cinematographer Dean Cundey, ASC Part I from Sight, Sound & Story: The Art of Cinematography 2019
Editor Mary Jo Markey ACE Explains How She Intensified the Opening Scene in "Mission Impossible III" From Sight, Sound & Story: Post Production Summit 2019
The Cinematography Behind the "Red Wedding" Episode Explained by Rob McLachlan ASC, CSC, from Sight, Sound & Story: The Art of Cinematography 2018
Legendary Editor Anne V. Coates, ACE on the Famous "Match Cut" from "Lawrence of Arabia" From Sight, Sound & Story: Post Production Summit 2016
Editor Dylan Tichenor, ACE on Shaping a Quiet Scene in "There Will Be Blood" From Sight, Sound & Story: Post Production Summit 2017
Cinematographer Igor Martinović on his use of Image-Play in "The Night Of" from Sight, Sound & Story: The Art of Cinematography 2017
Editor William Goldenberg, ACE Discusses Working with Director Michael Mann on "Heat" From Sight, Sound & Story: Post Production Summit 2015
Cinematographer Bob Richman on his Most Impactful Scene from "The September Issue" from Sight, Sound & Story: The Art of Cinematography 2015
Editor William Goldenberg, ACE on "Argo" From Sight, Sound & Story: Post Production Summit 2015
Sight, Sound & Story: Post Production Summit 2015 - Reactions and Interviews
Editor Meg Reticker Discusses Editing the End of the First Season of "True Detective" from Sight, Sound & Story Post Production Summit 2014
Editor Michael Kahn, ACE Discusses the Most Difficult Scene to Cut from "Raiders of the Lost Ark" from Sight, Sound & Story: Post Production Summit 2014
Editor Alan Heim, ACE on the Real Life Parallels of "All That Jazz" From Sight, Sound & Story: Post Production Summit 2013
Cinematographer Julio Macat, ASC on Filming the Church in "Home Alone" from Sight, Sound & Story: The Art of Cinematography 2017