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Sight, Sound & Story: Live Online with “Behind the Lens: Capturing Horror Films” Debuting on October 28th! Sign up now!

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Take a look back at October's Sight, Sound & Story: Live Online with “Behind the Lens: Shooting the Documentary”!

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Revisit Sight, Sound & Story: Live Online with “Making it Work: From Assistant Editor to Editor” from August 25th.

Sight, Sound and Story Live - Making the Grade: Color in TV & Film

Take a look back at July's Sight, Sound & Story: Live Online with “Making the Grade: Color in TV & Film.”

Sight, Sound and Story Live - Inside the Cutting Room of Dede Allen

Check out our June 2021 event Sight, Sound & Story: Live Online with “Inside the Cutting Room of Dede Allen”!

Sight, Sound & Story: Live Online with "Inside the Cutting Room of Schitt's Creek"

Check out our event Sight, Sound & Story: Live Online"Inside the Cutting Room of Schitt's Creek" from from April 2021!

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Legendary Editor Anne V. Coates, ACE on the Famous "Match Cut" in "Lawrence of Arabia" from "Sight, Sound & Story: Post Production Summit" 2016

Sight, Sound & Story: Live Online with “Inside the Cutting Room of Sam O'Steen” on November 19th

Sight, Sound & Story: Live with “Inside the Cutting Room of Sam O'Steen” broadcasted live on November 19th. Find out more here!

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Editor Michael Kahn, ACE Discusses the Techniques Used in the Opening Scene of "Saving Private Ryan” from "Sight, Sound & Story: Post Production Summit" 2014

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The Cinematography Behind the "Red Wedding" Episode Explained by Rob McLachlan ASC, CSC from "Sight, Sound & Story: The Art of Cinematography 2018

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The Sight, Sound & Story Audio Podcasts are now available!

“Thank you for bringing us the Sam/Bobbie O’Steen Masterclass. It was such a breath of fresh air, so so good. I’m in the middle of cutting a show for Amazon and it was a timely infusion of great craft and energy in the current madness - a reminder of where we have come from and The Greats who have brought us here. I’ve been thinking about it every day since. That’s the beauty of legacy.” 

- Editor Stephen O’Connell (Dublin)

“What a masterclass that discussion was about Dede’s work. I also truly believe I continue to become a better editor every time I dive into your discussions. Thank you for always shining a light on our craft, but also on Dede’s work."

- Editor Myron Kerstein, ACE (In The Heights, Crazy Rich Asians)

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Sight, Sound & Story: Live - "Mentors inside the Cutting Room" from July 2020

Sight, Sound & Story 2019: Behind the Lens with Cinematographer Dean Cundey, ASC Part I from Sight, Sound & Story: The Art of Cinematography 2019

Editor Mary Jo Markey ACE Explains How She Intensified the Opening Scene in "Mission Impossible III" From Sight, Sound & Story: Post Production Summit 2019

The Cinematography Behind the "Red Wedding" Episode Explained by Rob McLachlan ASC, CSC, from Sight, Sound & Story: The Art of Cinematography 2018

Editor Dylan Tichenor, ACE on Shaping a Quiet Scene in "There Will Be Blood" From Sight, Sound & Story: Post Production Summit 2017

Cinematographer Igor Martinović on his use of Image-Play in "The Night Of" from Sight, Sound & Story: The Art of Cinematography 2017

Editor William Goldenberg, ACE Discusses Working with Director Michael Mann on "Heat" From Sight, Sound & Story: Post Production Summit 2015

Cinematographer Bob Richman on his Most Impactful Scene from "The September Issue" from Sight, Sound & Story: The Art of Cinematography 2015

Editor William Goldenberg, ACE on "Argo" From Sight, Sound & Story: Post Production Summit 2015

Sight, Sound & Story: Post Production Summit 2015 - Reactions and Interviews 

Editor Meg Reticker Discusses Editing the End of the First Season of "True Detective" from Sight, Sound & Story Post Production Summit 2014

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"It was a real honor to be there, and I had a lot of fun with our discussion. I really hope everyone got something out of the panel, and hope to see their careers grow & flourish! I really admire what you all are doing, and think it serves a valuable purpose in the industry. As I mentioned, I wish I had attended one of your seminars when I was 25!"

 

- Julius Ramsay, Editor (The Walking Dead, Battlestar Galactica)

“This was one of the best events I’ve ever covered.”

 

- Justin Morrow - Writer, No Film School

"The Manhattan Edit Workshop (MEW) continues to grow its reputation as the top spot on the East Coast to learn the editor's craft. So it’s perhaps not unusual that it offers a great service pulling together panels of top-notch working editors who provide insight into how they pull off the latest reality TV show, miniseries or feature." 

 

- Dan Ochiva, NYC Production & Post News 

“This is a wonderful way for people interested in cinematography to get access to the masters.  The DPs are happy to share lessons they learned on set, and insider information about how the industry works. I learned so much from these artists. Don’t miss the next one!”

 

- Snehal Patel, Sales Manager, ZEISS 

"I've been an editor for over 20 years and this was my first “Sight, Sound and Story” event. Great networking and excellent speakers that were informative, inspiring and entertaining."

 

- Mike Trentacosti, Editor

"This was my first MEW event, and certainly won't be my last. What a great thing you guys are doing down there. I was visiting from Boston." 

 

- Kenyon King, Student, Harvard University

 "It was a worthwhile investment for us – we spoke to people non-stop during the reception." 

 

- Joe Smith, Sales Development Executive, Emerging Industries Media and Entertainment, Autodesk

"Sight, Sound & Story plays an important role in the post community. It brings together multiple post disciplines and champions new ideas all within an environment that is conducive to networking.  That's why I go every year and make sure to bring colleagues."

 

- Gordon Burkell, Founder of AOTG.com

"Simply superb, Bobbie is an amazing interviewer and deeply knows our craft and the body of work of the artists she questions."

 

-Sabine Hoffman, ACE, Editor (The Ballad of Jack and Rose)

"Sight, Sound, and Story was a fantastic event. It brought together a diverse community of video professionals and filmmakers who all share the same passion for telling exceptional stories through film."

 

-Tohm Sansani, Vimeo

Congratulations on an INCREDIBLE event today! What a fantastic set of panels, and a wonderful gathering of people. I was just so impressed with the entire thing every step of the way.."

 

-Amy Leland, Editor & Director - Summer Woman Productions

"Very educational!!! I'm a recent college grad so this really propelled me into the industry (knowledge-wise) and was very eye opening. A real treat to hear such successful people hear about their craft!"

 

- Rachel Black, Student 

"More. More! MORE!"

 

- Francis Zuccarello, Freelance Editor

Long-form “Peak TV,” what I call episodic filmmaking, is widely celebrated for formal and narrative innovation, but the breakthroughs I’m fascinated by are the leaps in digital cinematography seen every week if you know where to look and what to watch for.  If I hadn’t been on stage moderating this year’s terrific “The New Age of TV" discussion with DP Rob McLachlan, I would have been in the audience, leaning forward in my seat!

 

- David Leitner, 2018 Moderator and Filmmaker

Editor Michael Kahn, ACE Discusses the Most Difficult Scene to Cut from "Raiders of the Lost Ark" from Sight, Sound & Story: Post Production Summit 2014 

Editor Alan Heim, ACE on the Real Life Parallels of "All That Jazz" From Sight, Sound & Story: Post Production Summit 2013

Legendary Editor Anne V. Coates, ACE on Cross-Cutting in "Unfaithful" from Sight, Sound & Story: Post Production Summit 2016

Cinematographer Vanja Černjul, ASC on Transitioning to Season 2 of "Marco Polo" from Sight, Sound & Story: The Art of Cinematography 2016

Cinematographer Julio Macat, ASC on Filming the Church in "Home Alone" from Sight, Sound & Story: The Art of Cinematography 2017