Videos from Sight, Sound & Story 2015 Events

Videos

"Sight, Sound & Story: Post Production Summit" 2015

Inside the Cutting Room with Bobbie O’Steen: A Conversation with Oscar Winning Editor William Goldenberg, ACE

Moderator: Bobbie O'Steen ("Cut to the Chase", "The Invisible Cut")

Speaker: William Goldenberg, ACE (Argo, The Imitation Game, Zero Dark Thirty, Unbroken)

This panel is sponsored by:

TV is the New Black: Television's Cinematic Revolution

Moderator: Michael Berenbaum, ACE (The Americans, Sex and the City)

Speakers: Fabienne Bouville, ACE (American Horror Story, Masters of Sex), Sidney Wolinsky, ACE (Ray Donovan, The Sopranos), and Jesse Averna (Sesame Street, Monica’s Mixing Bowl)

This panel is sponsored by:

Anatomy of a Scene: Deconstructing Documentary Films

Moderator: Garret Savage (My Perestroika, Ready! Set, Bag!)

Speakers: Andy Grieve (Going Clear: Scientology and the Prison of Belief, The Armstrong Lie), Zac Stuart-Pontier (The Jinx, Catfish), and Pax Wassermann (Cartel Land, Knuckleball!)

This panel is sponsored by:

The Great Unscripted: The “Real” in Reality Television

Moderator: Gordon Burkell (AOTG.com)

Speakers: Alanna Yudin (Ink Master, Mob Wives), Joe Schuck (Alaskan Bush People, Best Funeral Ever), and Julie "Bob" Lombardi (Teen Mom, Town of the Living Dead)

This panel is sponsored by:

"Sight, Sound & Story: The Art of Cinematography" 2015

A Cinematographer's Vision: Creating Distinct Looks for Film & TV"
Moderator: Jason & Josh Diamond (Directors and Producers)
Speakers: Paul Koestner (Louie, Deadbeat, Better Things), Nancy Schreiber, ASC (November, The Nines, The Comeback)

This panel is sponsored by:

The Many Challenges of Nonfiction Cinematography
Moderator: Hugo Perez (Betty La Flaca, Juliet Y Ramon)
Speakers: Matt Porwoll (Cartel Land, Crisis Hotline: Veterans Press 1), Jerry Ricciotti (Vice, Vice News), Bob Richman (An Inconvenient Truth, The September Issue, Paradise Lost: the Robin Hood Hills Child Murders)

Editor William Goldenberg, ACE Discusses Working with Director Michael Mann on "Heat"

Film Editor William Goldenberg, ACE Discusses Mixing Different Footage Types in a Scene from "Argo"

Film Editor William Goldenberg, ACE on Manipulating Time in "Argo"

Film Editor William Goldenberg, ACE Discusses Restructuring Scenes in "The Imitation Game"

Film Editor William Goldenberg, ACE Discusses Editing the Exciting Climax of "Seabiscuit"

Film Editor William Goldenberg, ACE on Working Through the Dark Sequence of "Zero Dark Thirty"

Editor William Goldenberg, ACE Discusses Cutting Varying Performances in a Scene from "The Insider"

Editor Sidney Wolinsky, ACE discusses working with Guillermo del Toro on "The Strain"

Editor Fabienne Bouville, ACE on Editing Notes for "Masters of Sex"

Television Editor Jesse Averna on Bringing "Sesame Street" to Life

Editors Jesse Averna, Sidney Wolinsky, ACE and Michael Berenbaum, ACE on After Effects

Editor Fabienne Bouville, ACE on Stylistic Changes Between Seasons of "American Horror Story"

Editor Pax Wassermann Discusses the Dark Turn of the Characters of "Cartel Land"

Editor Zac Stuart-Pontier On the Process of Turning "The Jinx" from a Film into a Mini-series

Editor Andy Grieve Discusses How "The Armstrong Lie" Started Out as a Very Different Documentary

Editor Zac Stuart-Pontier on the Pivotal Audio Discovery in HBO's "The Jinx"

Editor Joe Schuck on the Use of Interviews in the hit show "Alaskan Bush People"

Editor Alanna Yudin on Making a New Scene Out of Old Footage in "Ink Master"

Editor Julie "Bob" Lombardi On Crafting a Scene out of B-Roll in "World of Jenks"

Cinematographer Paul Koestner Discusses Crafting a Scene Entirely out of One Shot in "Louie"

Cinematographer Nancy Schreiber, ASC on shooting the period piece "Shadow Magic"

Cinematographer Bob Richman on Shooting “The September Issue” with a Single Camera

Cinematographer Matt Porwoll on Filming with a Language Barrier on "Cartel Land"

Cinematographer Bob Richman on his Most Impactful Scene from "The September Issue"

Cinematographer Jerry Ricciotti on Shooting On-Location for “Vice”